Jorge Prudencio Lozano Botache (Universidad del Quindío)
Digital Cinema for Self-Representation and Decolonization
Anna Marta Marini (Instituto Franklin, Universidad de Alcalá)
Virtual Reality, Cyborg Migrants, and Cross-Border Dehumanization on the US-Mexico Boundary
Alfredo Suppia (University of Campinas)
Digystopias in Brazilian Cinema: Authoritarianism Beyond Zeroes and Ones
Tomasz Łysak (University of Warsaw)
Platform Capitalism and Digital Practices of Commemoration
Ilya Sulzhickiy (University of Greifswald | European Humanities University)
TripAdvisor Reviews of Holocaust Museums in Belarus and Poland: A Data-Driven Cultural Sociology Approach
Ariela Parisi (Rutgers University)
Decolonizing Cinema through the Intersection between Science Fiction and Disability: The Case of Branca sai, Preto fica by Adirley Queirós
Igor Carastan Noboa
The Similars and Mexican History in The Twilight Zone
Lea Zengraf & Karina Sávio (Freie Universität Berlin)
The Brazilian Backlash: Social Movements, Digital and Mass Media, and the Public Sphere
Agnieszka Urbanczyk (Jagiellonian University)
The Americanization of Semi-Peripheral Fandoms: The Case of Fandom in Poland
Zafiris Nikitas (Aristotle Univeristy of Thessaloniki)
Digital Theater in America: Tendencies and Evolutions
Jaime Harrison (Queen's University Belfast)
"Believe in the net, god is in the cables": Depictions of Japanese and American Digital Cultures in Suda51's "Kill the Past" Series
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Patrick Brock (University of Oslo)
Digital Culture in Brazilian SF Fandom: The Case of Sertãopunk
Gabriele Gomes Diniz (Federal University of Ceará)
Creating a Movement from Scratch: A Testimony about the Birth and Growth of Sertãopunk
Vítor Castelões Gama (University of Brasiília)
Amazofuturism: A Consensus within the Brazilian Science Fiction Community?
Aikaterini Delikonstantinidou (National and Kapodistrian University of Athens)
Theater and/as Digital Game(s)
Dimitra Nikolaidou (Aristotle University of Thessaloniki)
Digital Games as Theater
Dan Barnard (London South Bank University)
The Sociocultural Implications of the Theater-Game Alliance
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